A continuation of the tutorial on f.m. receiver limiting and detection.

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CONTINUAING FM RADIO RECEIVERS - Part 2


 

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Review From Part 1

Now the priciple differences between an f.m. radio versus an a.m. radio, and here for the moment we are talking about the entertainment variety, are:

(a)  the need for VHF reception capability 88 - 108 MHz as against 0.54 - 1.65 Mhz for a.m. reception.

(b)  the need for limiting action in the I.F. stages (see later discussion)

(c)  a different means of detection of the audio i.e., recovering the frequency modulation.

(d)  if we are talking f.m. stereo reception then some means of recovering left and right channel information.

In relation to FM radio, a frequent email request I receive is for an "FM Radio Kit". Previously on this page I said such a kit wasn't feasible, now it is.

AM/FM RADIO PROJECT KIT

AM/FM radio kit and training course contains 14 transistors and 5 diodes, a 52 page manual is divided into 9 lessons. Superheterodyne receiver of standard AM and FM broadcast frequencies. Makes an excellent classroom project.

This image is copyright © by Ian C. Purdie VK2TIP - photo of the AM/FM radio project kit

Photo courtesy Parts Express

Scroll down this Parts Express Electronics Project Kits Page for the AM/FM Radio Project Kit. A site I'm affiliated with.

V.H.F. Reception

In most entertainment variety receivers i.e. 88 - 108 Mhz the local oscillator operates at a constant 10.7 Mhz higher or lower than the received signal e.g. 98.7 Mhz to 118.7 Mhz. If you need to know why then go to previous tutorial on a.m. receiver design and learn just why.

Limiting Action

Limiting can be described as the action of overamplification where the signal is overdriven in stages and subsequently "clipped". Looking at figure 5(a) below we can imagine what happens when it is amplified and clipped (5b), amplified once again and clipped again (5c).

This image is copyright © by Ian C. Purdie VK2TIP - a.m. modulated signal being clipped

Figure 5 - a.m. modulated signal being clipped

Naturally we don't put a normal a.m. signal through a limiter, this is usually only done with f.m. signals. I simply provided figure 5 above so you could get the general idea. You should notice that all the amplitude modulation information (including noise) is progressively being removed. BTW 5(b) and (c) were simply done graphically by taking (a) resizing the height by 150% and cutting off the excess height (top and bottom) and repeating that exercise for (c). This is exactly what happens in a limiter only to a much greater amplification!.

To give you some idea of the amplification required for proper limiting go back to the old vacuum tube days where a good a.m. - i.f. amplifier might contain three vacuum tubes.

In the same period a good f.m. receiver may have had twelve or more tubes in the i.f./limiter stage.

Means Of Detection

A number of f.m. detection schemes have evolved over the years. The principal discrete ones were:

  (a) F.M. Discriminator (figure 6)

This image is copyright © by Ian C. Purdie VK2TIP - f.m. discriminator

Figure 6 - f.m. discriminator

This discriminator simply works on the principal that with no modulation applied to the carrier there is no ouput at the detector. Briefly T1 converts the f.m. signal to a.m. and when rectified the output is still zero because they would be equal but opposite in polarity, if modulation is applied then there is a shift in the phase of the input component with a corresponding difference in the signals out of the diodes. The difference between these outputs is the audio.

As an aside, this is somewhat similar to some Automatic Fine Tuning (A.F.T.) schemes in some a.m. receivers, notably early T.V. receivers. With no frequency variation there is no output, with frequency drift there will be an output difference (in either direction) which is amplified and applied to front end tuning diodes for correction.

  (b) Ratio Detector

The schematic looks a little similar to figure 6 but has a third (tertiary) winding on the secondary of T1, diode D2 has its polarity reversed and the two divider resistors are replaced by capacitors. This scheme was quite popular in entertainment type receivers. You detect f.m. but NOT a.m. and it placed some relaxation on the severe limiting requirements.

  (c) Crystal Discriminator

Once favoured by radio amateurs but superseded by later I.C. designs

  (d) Phase Lock Loops

Among the relatively newer designs and PLL's overcome many of the drawbacks and costs associated with building and aligning LC discriminators.

Review So Far And Stereo Reception

Of necessity I have only given you a general overview and background so far and, for very good reasons.

Over the last 20 years developments in the manufacture of dedicated and complete f.m. receivers on a chip have made an in depth review of earlier information presented totally redundent.

These developments include companion devices to handle stereo reception.

 

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RELATED TOPICS on fm radio receivers

fm radio receivers - Part 1

SA615 Mixer FM IF System Page

am radio receivers

radio receiver basics

tuned radio frequency TRF receivers

regenerative radio receivers

superhetrodyne radio receivers

capacitance

diodes

inductance

resonant frequency


 
 
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the author Ian C. Purdie, VK2TIP of www.electronics-tutorials.com asserts the moral right to be identified as the author of this web site and all contents herein. Copyright © 2000, all rights reserved. See copying and links. These electronic tutorials are provided for individual private use and the author assumes no liability whatsoever for the application, use, misuse, of any of these projects or electronics tutorials that may result in the direct or indirect damage or loss that comes from these projects or tutorials. All materials are provided for free private and public use.
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Updated 26th September, 2000

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